Noam E. Marans on How the Anti-Semitic Oberammergau Passion Play is Evolving

Frederik Mayet as Jesus, left, performs with laymen during a dress rehearsal of the Oberammergau Passion Play in the theater of Oberammergau, southern Germany, on May 10, 2010. More than 2,000 citizens of this Bavarian village participate in the century-old play of the suffering of Christ, staged every 10 years and dating back to 1634. (AP Photo/Matthias Schrader)

Rabbi Noam E. Marans is the American Jewish Committee’s director of interreligious and intergroup relations. The views expressed in this commentary do not necessarily reflect those of BCNN1.

The Oberammergau Passion Play, performed decennially in Germany’s Bavaria since 1634, was, until relatively recently, believed to be irredeemably anti-Semitic. Jews were portrayed in words, costumes and mannerisms as greedy, bloodthirsty, devilish and legalistic. Jesus was “Christian” and “the Jews” killed the Messiah, the Son of God.

Adolf Hitler saw the play in 1930 and in 1934 – the play’s 300th anniversary — and cynically understood it as an irresistible tool in his path toward demonization, deportation and destruction of the Jewish people. In praising the play, he proclaimed, “Never has the menace of Jewry been so convincingly portrayed.”

The Holocaust and subsequent Christian institutional self-reflection should have been enough to change the negative tide in Oberammergau. In 1965, Nostra Aetate, a declaration of the Catholic Church’s Second Vatican Council, rejected collective Jewish guilt in the death of Jesus. It taught that “Jews should not be presented as rejected or accursed by God, as if this followed from the Holy Scriptures.”

But change came slowly to Oberammergau. My organization, the American Jewish Committee, and other Jewish organizations demanded change in the past decades, but Oberammergau’s leadership was resistant. As late as 1980, Rabbi Marc Tanenbaum, then the AJC’s interreligious affairs director, called Oberammergau’s Passion “one of the most anti-Semitic presentations anywhere in the world.”

Progress began in 1987, two generations after the Holocaust and one generation after Nostra Aetate, when Christian Stückl, a native of Oberammergau and founder of a local theater company, was elected to direct Oberammergau’s main event. Still in his mid-20s, he began transforming the play and using its path toward rehabilitation as a vehicle for addressing Germany’s ant-Semitic past.

By 2010, Stückl had already eliminated the most heinous anti-Jewish excesses from the play and introduced a Jewish Jesus, who holds aloft a Torah facsimile and leads hundreds of Oberammergau residents in Hebrew singing of an original composition of the Jewish prayer Shema Yisrael.

The portrayal of Jesus as unequivocally Jewish does make a difference. Christian embrace of Jesus’ Jewishness has contributed mightily to the diminution of anti-Judaism and anti-Semitism. As Pope Francis has said many times in different ways, anti-Semitism is a sin and irrationally un-Christian, given Christianity’s Jewish roots and Jesus’ Jewishness.

Why does the Oberammergau Passion Play matter? For one thing, it is seen by half a million people during its 100-performance season. As the largest and longest-running of all Passion plays, too, it influences a worldwide genre that spawned anti-Jewish attitudes and violence over centuries.

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Source: Religion News Service